About Ishidoji Temple
Origins and History
There are several traditions concerning the founding of Ishidoji. One tradition states that the temple was founded by the Buddhist monk Gyoki in 726. Another account says that it was established in 708 by two monks from Nara, Emyo and Tosho, and later revived by Ennin (Jikaku Daishi) between 851 and 854.
The temple was originally called Ishitoji and was counted as one of the Three Great Stone Pagoda Temples of Japan, together with Sekitoji on Mount Aikuo in Shiga Prefecture and Sekitoji on Mount Hakuun in Gunma Prefecture.
The temple was completely destroyed by fire in 1487. With support from the Maru clan, which ruled the area at the time, it was rebuilt by 1522.
It was later renamed Ishidoji, reportedly after the childhood name “Ishidomaru” of Ashikaga Yoruuji, who was raised at the temple toward the end of the Muromachi period.
The Temple Grounds
Ishidoji stands on a small hill designated as a Chiba Prefecture Local Environmental Conservation Area. The grounds are surrounded by beautiful seasonal scenery.
In spring, plum blossoms, cherry blossoms, and rapeseed flowers add color to the temple grounds. Summer brings lush green foliage, while autumn transforms the grounds with colorful leaves.
Well-maintained walking paths also run through the grounds, making the temple a pleasant place for a leisurely stroll and birdwatching.
Main Hall
The Main Hall was built in 1513 during the Muromachi period. Its architecture features the Karayo style, influenced by Chinese architecture, combined with a hipped roof.
The building measures three bays across the front and four bays in depth and is highly regarded as one of the largest surviving wooden structures of its kind in Chiba Prefecture.
The hall houses the temple’s principal image, a standing statue of Eleven-Headed Kannon, together with its Buddhist shrine cabinet. Both are designated cultural properties. A group of Buddhist statues dating from the late Heian period is also enshrined inside.
The principal image is specially unveiled to the public in years of the Ox and Horse according to the traditional Japanese zodiac, attracting numerous worshippers.
Priest’s Quarters (Kuri)
The Kuri, or priest’s quarters, was built around the same period as the Main Hall during the Muromachi period and is designated a National Important Cultural Property.
Together with the shrine cabinet and foundation tablets associated with the Main Hall, the building is considered highly valuable from an architectural and historical perspective.
The Kuri also features carvings by the renowned Edo-period sculptor Takashi Iha, better known by his nickname “Nami no Iha” (“Iha of the Waves”). His work reflects the distinctive woodcarving tradition of the Awa region.
Tahoto Pagoda
The Tahoto Pagoda was built in 1545 during the Muromachi period. Its design combines elements of the Chinese-influenced upper structure with traditional Japanese architectural techniques.
Very few tahoto pagodas built before the Edo period remain in the Kanto region, making this a particularly valuable historic structure.
A seated Senju Kannon (Thousand-Armed Kannon) associated with the Kei school of Buddhist sculpture is enshrined inside. The statue is designated a Chiba Prefecture Cultural Property.
Yakushido Hall
Yakushido Hall dates from the Azuchi-Momoyama period and is distinguished by its traditional thatched roof.
The wooden Buddhist hall measures three bays square and enshrines Yakushi Nyorai (the Medicine Buddha) and Bishamonten.
Original features such as a floor showing the marks of traditional adze-cutting techniques remain, providing a glimpse into the craftsmanship of the period. The hall is specially opened to the public in years of the Tiger according to the Japanese zodiac.
Sanno Hall
The Sanno Hall is believed to have been built between the late Muromachi period and the Azuchi-Momoyama period. It follows the three-bay nagare-zukuri style of Shinto shrine architecture.
The hall enshrines Hiyoshi Sanno, who serves as the guardian deity of Ishidoji Temple.
Bell Tower
The Bell Tower was built in 1783, during the Edo period, and is designated a Minamiboso City Tangible Cultural Property.
The temple bell was first cast in 1331 and was recast in 1663. The bell tower features beautiful decorative carvings and conveys the atmosphere of its long history.
Hokyoin-to Pagoda
The bronze Hokyoin-to pagoda was cast in 1841 by Suzuki Denzaemon Masatane, a skilled metalworker from Ishigami Village.
This valuable monument provides another example of the craftsmanship and religious culture that flourished in the region during the Edo period.
Cultural Properties at Ishidoji
“Waterfowl on Waves” by the First Iha Takashi
The renowned Edo-period sculptor Iha Hachiro, commonly known as “Nami no Iha” (“Iha of the Waves”), became famous for his extraordinary carvings of waves.
His work is said to have influenced the ukiyo-e artist Katsushika Hokusai, whose famous depictions of waves became internationally recognized. Iha’s distinctive carving techniques have continued to be remembered and studied by later generations.
The Ishidoji carving “Waterfowl on Waves” is believed to have been created in 1791, when Iha was around 39 years old. It was originally attached to the Tahoto Pagoda.
After restoration, the work is now preserved and displayed indoors. It can be viewed by the public for an admission fee of 300 yen.
Former Ogata Family Residence
The Former Ogata Family Residence is a traditional farmhouse built in 1728, during the middle of the Edo period. It uses a separate-building style of residential architecture and incorporates design elements associated with southern Japanese traditions.
The house was originally built in Tamaishiigaya Village, formerly part of Maruyama Town, and was relocated to its present location in 1971 and 1972.
It is an important historical resource for understanding the lifestyle, housing, and building techniques of the Edo period.
Cultural Properties
National Important Cultural Properties
- Main Hall (including the shrine cabinet, foundation tablets, and Kuri): Built around 1513 during the Muromachi period, with a hipped roof and entrance on the gable end.
- Tahoto Pagoda (including foundation tablets and 36 pieces of old timber): A pagoda bearing an inscription dated 1548. Designated a National Important Cultural Property in 1992.
- Wooden Standing Statue of Eleven-Headed Kannon: A Buddhist sculpture dating from the Heian period, designated a cultural property in 1916.
Chiba Prefecture Cultural Properties
- Ishidoji Sanno Shrine
- Wooden Seated Statue of Senju Kannon
Minamiboso City Cultural Properties
- Satomi Documents
- Documents Relating to the Reconstruction of Ishidoji Main Hall
- Wooden Seated Statue of Ashikaga Yoruuji
- Painting of Shaka Emerging from the Mountains
- Painting of Fudo Myoo
- Vajra Plate and Temple Bell
Annual Events at Ishidoji
Ishidoji holds a variety of traditional events throughout the year. These include New Year’s prayers, the Setsubun Festival, and the traditional ringing of the temple bell on New Year’s Eve, all of which are familiar events for local residents and visitors.
- January 1: Shusho-e New Year’s Buddhist service
- January 18: First temple festival day of the year
- Around February 3: Setsubun Festival
- August 18: Summer temple festival
- December 31: Joya-no-Kane – ringing of the temple bell on New Year’s Eve
Access
Ishidoji Temple can be reached by taking a Tateyama Nitto Bus and getting off at the Ishidoji-mae bus stop.
Using public transportation provides a convenient way to visit this historic temple and explore its peaceful surroundings.
Summary
Ishidoji Temple is the oldest historic temple in Minamiboso and a remarkable destination where valuable cultural properties coexist with beautiful natural surroundings.
Visitors can appreciate the seasonal scenery of the temple grounds, historic architecture such as the Main Hall and Tahoto Pagoda, and exquisite woodcarvings by the celebrated craftsman Iha Takashi, “Nami no Iha.”
With its long history, important Buddhist images, traditional buildings, and peaceful atmosphere, Ishidoji offers an opportunity to experience the rich religious and cultural heritage of southern Chiba.